An Internet Fast and Other Sundry Things

A few minor things:

  • I’ve decided to do an Internet Fast for three weeks, which is basically limiting my personal Internet time to less than fifteen minutes a day. Some mental toxins have crept into my system, and this is my way of clearing them out. The fifteen minutes will mostly be spent checking email and keeping up with writing-related business, but it will also be a challenge to see how much I can keep up on with those fifteen minutes. I’ve been doing it for a few days already, and it’s been good, but it is a challenge even dealing with all my email in that time.
  • I turned in the mini-collection to PS Publishing: A Web of Black Widows and Other Stories of Love and Loss. Thirty thousand words. Six stories — four or which are original to the collection. Right now it’s scheduled for an early 2009 release, but we’ll see. I’ll be posting a page with more information about the collection in the coming months.
  • Check out the First Book blog: Jennifer E. Smith and The Comeback Season.
  • Read Kristine Kathryn Rusch’s Hugo-nominated novella, “Recovering Apollo 8,” for free over at Asimov’s. Wonderful story. Plus if you want to see how a great writer can break the rules (not that there is such a thing in fiction), this is a good one to study. There’s only a few scenes and much of it is told in narrative summary, with the first third almost entirely exposition, but it works beautifully.  It works because it gives you a sense of a small story within the larger scope of history, which was the right tone and approach.

Reading more books . . . er, listening to them

One of my frustrations the last couple years has been how hard it is finding time to read.  Any writer (heck, anyone) with young children can probably relate — there’s just not enough hours in the day anymore.  But a writer needs to read as much as he or she needs to write — it’s the creative fuel that keeps the fires of the imagination burning.

I’ve always liked audio books as a way to squeeze in more reading, but now that my daughter, Kat, accompanies me out to the university (where she goes to preschool), listening to sansa.jpgsansa.jpgthem in the car isn’t much of an option.  Usually, we end up listening to one of her CDs:  “Head . . . and shoulders, knees, and toes, knees and toes . . .”   

I’ve had an iPod for a while now, but purchasing audio books is expensive and importing CDs checked out from the library is too time-consuming.  So I was happy when I stumbled across the Library2Go program, which allows library patrons to “check out” audio books to be downloaded to computers and MP3 players.  The iPod wasn’t compatible, so I sprung for the $35 (man, have the prices come down on these things) for a 1 gig Sansa.  I’ve been using it on my walks at lunch here at the day job, and it’s been great so far — tiny, easy to use, and even the 1 gig player fits three to four books at a time.   

While I’ve never been one to get excited about technology for technology’s sake — it’s always about what technology can do that matters to me — I have to say this has me pretty stoked. 

Excuses

Had a great time attending the Denise Little workshop on the Oregon coast this past weekend. Since Kris and Dean hadn’t done any workshops in several years, it was like a reunion for many of us, though I met plenty of new folks, too. Among those in attendance were Nina Kiriki Hoffman, Phaedra Weldon, Steve Mohan Jr., Ken Scholes, Adrian Phoenix, Peter Orullian, Loren Coleman . . . the list goes on an on.  A very talented bunch.

 

That’s one of the reasons I like Kris and Dean’s workshops so much. It’s not just the teachers (who are fabulous). It’s the students. There’s nothing better than being surrounded by a lot of writers who treat the craft as seriously as you do. Believe me, that’s a rare thing. The focus was on writing for anthologies, and I certainly learned a lot about that, but I also got a reminder on a very important lesson — one that I needed right now.

Everybody’s got excuses not to write. Everybody’s got excuses not to meet a deadline — whether it’s in a workshop or in real life. But no matter how good your excuse is, there’s always another writer who’s got a better one, and they met their deadline. So when I hear myself trying to reach for an excuse, and I’ve certainly got plenty of good ones (a day job, two young children, etc.), I’m going to ask myself if I want to be one of those people who uses excuses as justification for not writing, or instead one of those people who does the work anyway and then uses those challenges as a bragging point. “Hey look,” you can say, “I was sick as a dog and my bank just called to say I’m bouncing checks, but I still wrote ten pages.”

That’s not say some excuses are good reasons to not write — there’s plenty of awful things I can imagine happening that would stop me from writing. It’s just that it’s always my choice whether I allow them to stop me or not.

On another note: go check out The First Book blog. Up today, Kelly Simmons and her book, Standing Still. A snippet: “I’ve never been one of those people who has to have a certain kind of pen, or notebook, or desk. If I’d waited to have all the right things I’d never have written a word.”

Friday Links

I’m about to head out to the Oregon coast for a writing workshop I’ve been looking forward to for some time.  The very talented Denise Little of Tekno Books will be leading a workshop on writing for anthologies.  It will also be a chance to catch up with many talented writers, many whom I’ve known for years.

But before I go, I thought I’d try to start something new, a Friday post on interesting things I bumped into over the course of the week.  Here you go: