A New Year

It’s been a couple months since I’ve last posted.  First off, Happy New Year.  Last year was an up and down year for me personally, for various reasons, but by no means a bad year.  But I go into 2008 full of vigor and optimism that great things are in store.  My writing productivity was signficantly up over last year, by about a 100,000 words (which probably says more about 2007 than 2008), plus I finished a new book which I’m quite excited about and which my agent has just gone to market with, published a number of short stories in some great places, and got started on another book which really has me stoked.  I don’t like to talk about works in progress, for fear that talking about them will let the wind out of my sails, but let’s just say it’s a book that pushes all the right buttons for me. 

And if I’ve learned anything at all from my years at working at my storytelling craft, it’s to write what you feel passionate about.  Because at the end of the day, regardless of how your story or novel is received, whether it’s published to great acclaim or languishes in a drawer, you want to be able to say you pleased at least one reader — you.  That’s really the only reader you can hope to please anyway, because it’s the only reader a writer truly knows.  And if you write something you like, well, there’s a great chance others will like it as well. 

So as odd as it may sound, that’s my main goal for the year — to write more books and stories I like.  To remember to have fun tellling stories, because if I’m not having fun, then why do it?  And to focus most on what I can control best, which is just putting one word on the page after another.

Production and Process

Following up on my last post, “Pages Before Play,” I thought I’d share another two P’s that are a big part of the way I see my writing: Production and Process.

I lump everything related to writing into these two categories to help me stay focused on the right things. Production is really just one thing: writing. However, it’s not just any writing, but specifically fiction. Blog entries, nonfiction, emails — those all might be an integral part of my life as a writer, but none of that falls under the Production side of things. Only fiction. It’s where the vast amount of my effort, energy, and mental focus must go.

Process is everything else that’s necessary in being a professional fiction writer. Market research. Story research. Mailing manuscripts. Reading. Studying other writers. Going to conferences or workshops to further my learning and career. I lump it all together as Process, because they are part of the process you must follow if you hope to take your writing career as far as it will go. Calling it Process also helps me remember not to worry or stress about things I have no or limited control over; I just follow the process, knowing that if I do, things will work out for me in the long run. It’s too easy to obsess about minutiae that don’t matter, to pin your hopes on details that don’t pan out. Marketing short stories is a perfect example. I print a story. I come up with a market list. I mail it to the best market, in my opinion, for that story. If it comes back, I mail it to the next one on the list. In between, I try not to think about it at all. Hard to do sometimes? Sure, but I’ve gotten better at it over the years.

The fact of the matter is that nothing in the Process category matters all that much if you aren’t producing. And if you want to do one thing that helps you find success more quickly, then you should produce more. Write another page a day. Or five. Or ten. Most aspiring professional writers don’t write nearly enough, a lot of them falling prey to the thinking that landing a great agent or making that contact at a conference is the key to success. If you go to a conference, sure, try to make contacts. And when you’re actually mailing your work, put some time in to thinking about the best places to send it. But most of the time, you shouldn’t be thinking or worrying about those things at all.

Whenever I find myself worrying about things outside my control, I tell myself to just produce and let everything else be part of the process I follow. Not only has this helped me become more efficient with my energy and time, it’s made me happier, too.

Recommended Reads

  • The Undercover Economist by Tom Harford. Great book on applying economics to every life and the bigger world picture.
  • Little Earthquakes by Jennifer Weiner. Stirring, multi-viewpoint book about a number of women all dealing with different aspects of pregnancy and being new mothers. Her writing was highly accessible, and she brought all of her characters to life. I loved the structure of the book, too.
  • The Lonely Silver Rain by John D. MacDonald. I’ve read five or six of the Travis McGee series, and I’ve loved them all. This was the twenty-first book, the last one published before MacDonald died, and though I don’t think it was written as the capstone of the series, it was a fitting end to it. He’s the kind of writer that makes me want to be a better writer, too.

Pages Before Play

It’s said that most writers like to have written more than they like to actually write. I wouldn’t say this is totally true for me, because I love writing — you know, the actual process of putting words on the page and molding them into something that resembles a story — but I can relate to the challenges of actually getting the butt in the chair. I don’t know why this is. You’d think that when you love something, you’d look for every opportunity to do it, but I suspect it has something to do with writing being hard. It may be fun, but that doesn’t mean it’s easy.

For years, I tried everything in the book to get myself to write more. Nothing worked well until I realized that any rule had to be tied not to time or place, but to a specific number of words or pages. In other words, I couldn’t say to myself, “I will write for an hour each night from 6:30 to 7:30,” but instead, “I will write 1000 words every day.” Or 500. Or 100. It didn’t matter how small, so long as it was specific and achievable. Because if you tell yourself you will write for an hour, well, you may write, but you may write only a few sentences. If your goals are time-based, rather than production-based, then you’re creating the wrong mindset. You want to condition yourself that when you sit, you write, and not that sitting for any set amount of time satisfies your goal.

If I know I’m not letting myself up out of that chair until I’ve written my five pages, you better believe I’ll get cranking fairly quickly. I don’t want to be sitting there until one in the morning when I know my kids will have me up shortly after the crack of dawn.

Ah, but that brings me to the other critical adjustment I made that helped me go from being a dilettante to a doer: withholding rewards until the work is done.

Or, when it comes to writing specifically, what I call pages before play.

There has to be either punishment or reward tied directly to your goal. Since I’m not really into the whips and chains and the fifty pushups with the face in the mud, I prefer to go with the rewards. What type of rewards are best? Well, that’s for each person to decide, but usually they’re what you’re doing when you know you should be writing. For me, that’s a couple things: 1) reading, of course, which is the big one, 2) movies and television, and 3) Internet and email.

So what I did is lump all of those into the “play category,” and I don’t let myself do any of them until the daily quota is met. No checking email to see if I heard back from so-and-so editor at such-and-such magazine. No reading that John D. MacDonald I find so addictive. No watching that documentary that was getting all the buzz lately. All of that waits until the pages are done.

And this works. It works very, very well, in fact. You have to have the self-discipline not to cheat, but usually the guilt will prevent you from doing that. Because not only do you create incentives to get your butt in the chair (gosh, you really would like to see that romantic comedy you brought home from Blockbuster the other night), you also eliminate most of the easiest distractions.

Pages before play. The trick, of course, is really doing it. But then that’s what separates the wannabes from the achievers — not just in writing, but any pursuit in life that takes discipline and dedication.

Okay, I had to do it . . .

Apropos of yesterday’s post, I got bitten by the curiosity bug and had to do it. Here’s the word counts of the Harry Potter books (based on Scholastic’s published information):

I – 76,944
II – 85,141
III – 107,253
IV – 190,637
V -257,045
VI -168,923

Total: 885,943 words

If we assume that all monies related to the books (movies, toys, etc.) all directly flow from the books themselves (which we should, since none of those things would have happened without the books), then a billion dollars in income translates into the following word rate:

$1,000,000,000 / 885,943 words = $1128.74 per word

All I can say is . . . wow. Most writers would be happy with a word rate starting to the right of the decimal point.